Francisco de Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art.. Related Paintings of Francisco de Zurbaran :. | Detail from Saint Luke as a Painter before Christ on the Cross. Widely believed to be a self-portrait | around | Versuchung des Fra Diego de Orgaz | Teller mit Zitronen, Korb mit Orangen und Tasse mit Rose | blessed john houghton | Related Artists: Joseph FischerJoseph Emanuel Fischer von Erlach, also Fischer von Erlach the younger (13 September 1693 in Vienna; 29 June 1742 in Vienna) was an Austrian architect of the baroque, Rococo and baroque classicism Simon DequoySimon Dequoy (1655-1727)
Stanislaw Ignacy WitkiewiczPolish Painter, 1885-1939
.Polish writer, art theorist, painter and photographer. He was the son of the architect, painter and critic Stanislaw Witkiewicz (1851-1915), creator of the 'Zakopane style'
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